| Review of Solo Dios Sabe l 20 September 2006 |
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In
Sólo
Dios sabe,
Mexican Damián (Diego Luna) meets Brazilian Dolores (Alice Braga) in
What
Dolores doesn’t know is that Damián found her passport, and although
initially he was going to give it to her, he found the perfect excuse to
keep it and thus travel with her. Seduction turns to romance and soon
Damián understands that he can have the love of his life in Dolores. She
is fascinated by his analytical personality as a journalist. Meanwhile
Luna’s character is caught up in the mysticism of the one from the South
(Dolores).
Just
as in Bajo California, Carlos Bolado establishes his story in
the relationship of two people who are considered different from the
start and happen to be soul mates after sharing their own perspective of
the universe.
Come
the moment in which Diego must reveal his plan of conquest, Dolores
splits to
Bolado pays the consequence for this script decision, since the story
feels like a game between the two. The characters descend on a slide to
melodrama and much of the humor of their meeting in
Here,
Bolado takes the opportunity to hurl questions that they must see with
the importance of fate and the consequences of chance. His achievement
is showing that these topics have resonance, not for existing alone, but
the attention of each who add it their own lives.
Sólo Dios sabe is an example of the director’s intention to lead his audience on an emotional journey. Even if the final execution is not completely successful, it will always be worth taking a look at Bolado’s camera and listening to his questions about life, death and love that confront them.
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