November 3, 2007
- Join our
celebration of
New Mexican Cinema with two of its brightest
lights – Diego Luna and Carlos Cuarón. Both stars speak at
the National Emerging Latino Filmmakers’ Conference, before
Luna presents his directorial debut, “Chavez”. A
"Conversation with Diego Luna: actor, producer, director"
conducted by Delfin Vigil will follow. Then, the anticipated
Premier of “El búfalo de la noche/The Night Buffalo”, from
the Oscar-nominated screenwriter and author Guillermo
Arriaga, and starring Luna as a young man whose lust for
beautiful women leads him down a path of deception and
betrayal. You’ll also have the chance to see the
retrospective of his work including the - now classic - “Y
tu mamá también”, which brought Mexican cinema back into the
international frame and made Luna and Cuarón names
recognized around the globe!
Diego Luna’s spoke exclusively with ILFF, about his
directorial debut “Chavez” and his participation in the
International Latino Film Festival.
ILFF: Most people know you as an actor, but you’ve just made
your directorial debut with a fabulous documentary about the
famous Mexican boxer JC Chavez. Chavez will be showing at
the International Latino Film Festival in San Francisco in
November. What appealed to you about the JC Chavez’ story?
DL: I was never a boxing fan, but I was a JC Chavez’s fan.
It’s difficult to explain what Julio represented to each
Mexican, the whole country would stop to see him fight. This
was maybe, the only good news we had. There was a huge
opportunity with this story to talk about my country in a
time where everything was happening. It’s definitely the
root of present-day Mexico, and it’s a time we shouldn’t
forget.
ILFF: You have been a star in Mexico for many years, but
after your roles in Y tu mama también and then starring
alongside Salma Hayek (Frida) and Tom Hanks (Terminal) and
now Mr. Lonely (screening at ILFF 07), you are a star in the
US as well. But was it important to tell this very Mexican
story as your first film as director?
DL: The movie always talks about yourself somehow, it
doesn’t matter what the theme is. For me, this story gave me
the opportunity to talk about the recurrent issues in my
life that worry me: fame and success, the relation between
fame and power, as well as heroes demystification, and a
father son’s relationship.
ILFF: Is there a significant difference between the way
Mexican film industry works and the US industry? And do you
prefer to work in one or the other?
DL: The only thing I know is that I like to do cinema, where
it takes place is the least of my worries, what really
matters is the story and it’s director, the rest just comes
in by itself. The big difference between our industries is
that the US film industry is, in a way, is a “healthy
industry,” and ours isn’t. We haven’t made cinema into a
profitable business for producers.
ILFF:So now that you have directed your first film, what did
you find the most difficult thing about making the
transition from actor to director?
DL: To convince people to believe in you, to convince
yourself, and to not let insecurity stop you.
ILFF: You have started a documentary festival, Ambulante,
and a production company, Canana, with Gael Garcia Bernal.
Both have the mission to raise awareness about the
documentary genre in Mexico and support young film makers
(among a variety of other goals). We at ILFS have a similar
goal, with our emerging Latino Filmmaker’s Conference, What
are your most important words of advice for emerging
filmmakers?
DL: I think documentaries are a great tool for young people
to find their own voice. I recommend anyone to try it.
ILFF: You are a featured artist in this years
International Latino Film Festival 07. How does it feel to
have your body of work as an actor and director all
displayed in one place at the tender age of 27?
DL: It’s unreal, I can’t think too much about that, I’m in
danger of going insane…all I can say is that I’m really
grateful.
ILFF: You will be a guest at the festival, what are you
looking forward to most about coming to San Francisco and
the ILFF?
DL: I love the city, visiting and showing the selected movie
really excites me. Festival are a necessity, really. It’s
important that we come together to celebrate the existence
of cinema, and what we are creating.
ILFF: What is your plan for the future? Will you return to
acting? Or are you itching to get back into the director’s
chair?
DL: Yes. I think I will be directing something, but still
don’t know what it will be. Meanwhile, I’ll continue acting,
which I enjoy a lot, continue producing at Canana, and keep
living and enjoying every moment. In November I’ll hopefully
visit my friends in California and drink from their wine!