Diego Luna: “The actor never stops
learning”

“You know, I’m a part of this huge movie and I have this big
limousine, but I’m still going home by
myself and I have to wake at seven o’clock tomorrow to do
interviews. Even if the limousine was
ten times bigger, I’d still have to wake up at seven. I’m not
complaining, but sometimes you just
need a nice beer, a hammock and the beach in front of you, and
that’s better than anything else.”
- Diego Luna
Steven Spielberg
has found the face of a friend in the Mexican of The Terminal,
his most recent movie on a passenger who turns out to be forced to
live in an airport. Diego Luna gained the confidence of the North
American director to turned what was going to be a minor character
into a key someone for the plot, each time with more dialogue,
including phrases in Castilian.
“Not a friend at
all, that is my reality check whenever I come. I don’t know what
they see in my face,” this young performer jokes. They can see the
face of a star blossoming, now that the actor, that was announced in
Hollywood with And Your Mother Too (2001), has joined his
name to that of Spielberg in this movie, the first since the popular
producer directed Catch Me if You Can (2002). As he
recognizes Luna, 24 years old, his goal in the cinema has always
been to work with the directors that he admires, so he jumped
jubilantly at the idea of being a part of Spielberg’s film, although
at first the role was very little.
.
The
Terminal is inspires in the lived incident
in 1988 by the Iranian exile Merhan Karimi Nessari in an the Charles
de Gaulle Paris airport, where he had to reside for a bureaucratic
problem with his passport. In the film Tom Hanks is Viktor Navorski,
citizen of the fictitious country of Krakozhia, who at his arrival
to New York discovers that a coup d'état has demolished his
government, leaving his visa or passport without value, so that he
can neither enter the USA nor return home.
ACTORS, NOT
STARS
Luna performs
the part of Enrique Cruz, one of the airport employees who will
start a friendship with Navorski in this fable, and whom he will try
to use to reach the woman that he loves, Dolores (Zoe Saldana).
“Enrique realized that Dolores laughs with Viktor and he sees an
occasion to approach the woman that he loves. He makes an agreement
with Viktor to exchange meals for information that allows him to
gain her heart,” explains the Mexican actor.
“With Tom Hanks I passed the same as with Robert Duvall. They are
people you enjoy around you. Because there are actors and there are
stars. And these two are actors,” confirms the young performer,
whose movies in Hollywood includes the western
Open Range (2002), along
with Duvall and Kevin Costner. In The Terminal - that also
Catherine Zeta-Jones and Stanley Tucci lead. “Spielberg was very
clear that he wanted to show my emotional character and he agreed
that first he was saying everything in Spanish, as if I was coming
from the heart (soul),” he remembers on a scene in which Hanks helps
to Luna to declare his love to a
customs agent.
In a certain
way, that was fitting very well in the philosophy that Spielberg
wanted to give to his movie, as he told us: “The Terminal is
a real story of immigration, although Viktor is not technically an
immigrant but a visiting traveler. The film sizes up what has
caused this country to be so great and strong: the immigrants who
came from all the corners of the globe to the ‘land of milk and
honey’, a place where they can dream of reaching a better life. In
a certain way, we have lost of sight the situation that the
immigrants live in because security is stronger than ever, and with
reason. Our history celebrates the big ‘melting pot’ that is North
America. That's why Viktor can relate easily to the people of
different cultures and social classes. And that’s the reason why I
have wanted to have international cast.”
WORKING IN
SPANISH
Although Diego
Luna’s premiers in Hollywood maintain a solid pace, his sight
remains set in his native Mexico, as it did with Nicotine, by
the Argentine director settled in Mexico Hugo Rodríguez, that he
presented in the last American Film Institute festival, even though
he had to get away for the shooting of The Terminal. “I
would like to do more things there. To work in my language. For
much work in English, it doesn’t suit me as well as doing it in my
language,” he admits. In fact, on his list of directors with whom
he would like to extend his career, the only Americans that appear
are the brothers Ethan and Joes Coen. The rest are the Spaniard
Fernando Trueba and the Mexican Coarlos Bolado, with who he is
already filming Only God Knows. “Or with Alfonso Cuarón
again, someone whom I admire in his career for his aptitude to
change genres and make all of them equally good, from And Your
Mother Too to Harry Potter,” he indicates. For Luna,
every movie continues being ‘a learning’, a process that “when one
is an actor, it never finishes,” he commented. “There you have
someone like Robert Duvall, 73 years old who keeps on finding new
challenges, different projects, the chollo of this profession,”
admits Luna.
THE CHALLENGES
ARE IN MEXICO
In his mind, a
big part of these challenges he hopes to find in Mexico, where he
had his eye on a new generation of directors ready to revitalize the
world cinema. “That's why I always want to maintain a foot Latin
America. Because they will never have the budget of The Terminal,
but they will have better ideas,” he sums up. And after that having
also experienced Dirty Dancing: Havana Nights, the new
version of the cinematographic phenomenon of 1987, that argues an
incredible internationalization for Diego Luna.
Diego Luna is Enrique Cruz, a Mexican emigrant and food employee
that uses his employment to come to a mutually beneficial agreement
with Viktor. Enrique is in love with the immigration official
Dolores Tores whom Viktor has to see every day to stamp his papers.
“Enrique realizes of that Dolores laughs with Vikto and sees in it
an occasion to approach the woman who he loves. He signs an
agreement with Viktor of exchange of meal for information that
allows him to gain her heart,” says the young actor. “To work with
Spielberg has been an incredible experience: I met with generous
guy, thankful that I was in his movie, that shared many things with
me, that was speaking to me constantly. I recognize that he was
expecting somebody completely different, but it thrilled me very
much as he likes what I do, how he enjoys his work, all the energy
and determination it puts in him. It is the personified openness.”

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